CASPER, Wyo — A state legislative committee agreed to draft a bill reviving tax rebates for the film productions, looking to diversify Wyoming’s economy and build an industry that would retain a young and creative workforce.
The Joint Travel, Recreation, Wildlife & Cultural Resources Committee’s proposal calls for using solely lodging tax revenues to budget a rebate incentive program up to $3 million per biennium.
The proposal includes two tiers of incentives to the industry depending on the size and scope of the projects.
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For larger productions, there would be a base incentive of 15% cash rebate on qualified in state expenses. Additional rebates would be added (up to 30%) for employing Wyomingites as 60% or more of a project’s workforce and for doing post-production work in the state.
Smaller productions could get up a 15% cash rebate by employing Wyoming crews and featuring the state in its themes or storyline.
Thursday’s meeting abounded with anecdotes from film industry professionals and local tourism officials about missed opportunities since the state’s previous incentive program expired in 2018.
UW graduate and filmmaker Sean Patrick Higgins told the committee that there had been 167 inquiries by film productions in Wyoming during 2020, most of which went to other states in the region.
Higgins said that, based on that potential business, Wyoming could add 1,200 new jobs over 5 years with a film incentive program.
Wyoming Office of Tourism Executive Director Diane Shober said that during the previous tax incentive program from 2007-2018, the state had invested $2.1 million, and the film industry had spent $18 million in Wyoming.
Many testified that not having a state incentive program is a nonstarter for the film industry executives.
“The conversation always begins with ‘What is Wyoming’s incentive?’ and, unfortunately, that’s typically where the conversation ends.” said Sean Parker, a state tourism board member and executive director of Sheridan Travel and Tourism.
Parker said his office had recently hosted a modestly budgeted horror film, as well as producers on a Netflix documentary, which spent $100,000 in three days featuring the Mint Bar for a series. They’ve also hosted ad campaigns for Rollys Royce and Delta Airlines.
“The return is quite substantial, even on these tiny little projects, which is to say nothing of the incredible marketing value we see when these projects come to fruition.”
But “for each of those wins,” Parker said, “we’ve lost out on many, many other projects that could have made a substantial economic impact for the state.”
Parker said that promising conversations with…
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